Online interview/discussion with Professor Yoshitaka Mouri on my article “‘A New Stereophonic Sound Spectacular’: Shibuya-kei as Transnational Soundscape.” Tokyo University of the Arts (via Zoom), 14 July 2020.

Panel discussant, screening of the documentary film Anthropocene: The Human Epoch. Envisioning the World screening series, Closeup Film Theatre, London, 2019.

“Reboot, Reset, React: Television in the Age of Social Media.” Hallym University, Media School. Chuncheon, South Korea, 18 June 2018.

“‘A New Stereophonic Sound Spectacular’: Shibuya-kei as Transnational Soundscape,” 2013. Centre for Media and Film Studies, SOAS, University of London, 13 November 2013.

“Transnational Documentary: Creative Labour and Cultural Politics.” Hallym University, School of Communication. Chuncheon, South Korea, 20 October 2012.

“Cinema and/as Development.” Korean International Cooperation Agency (KOICA), Master’s Program, Yonsei University. Wonju, South Korea, 21 November 2012.

“Subcultural Studies and the Future of Nostalgia.” Panelist (with Tony Jefferson), panel on the re-publication of Stuart Hall and Tony Jefferson’s Resistance Through Rituals, at “On the Edge: Transgression and the Dangerous Other. An Interdisciplinary Conference,” John Jay College of Criminal Justice, New York, 2007.

“Translation as a Martial Art: Kung Faux, from Détournement to Dubtitling.” Panelist, “Martial Arts/Global Flows” conference, Asian-Pacific Studies Institute, Duke University, 2005.

Discussant (with Jiwon Ahn), Hong Kong Cinema screening series of Stephen Chao’s film Shaolin Soccer. Leslie Center for the Humanities, Dartmouth College, 2005.

“‘El Download es Cultura’: Electronic Music in Latin America,” Panelist, “Critical Worlds I: From Slave Music to World Music” conference, Université de Montréal, 2004.

Keynote respondent, Global Hollywood conference, University of Victoria, Canada, 2001.

“Notes on the Global Underground: Subcultural Elites, Conspicuous Cosmopolitanism.” Keynote panelist, conference on Globalization and Popular Culture, University of Manitoba, 2001.

Discussant, panel on “Portable Cultures, Global Identities,” The Public Theater, New York, on Jessica Hagedorn’s play Dogeaters, 2001.

“World Music: The Relocation of Culture.” Roundtable presenter and participant, John D. and Catherine T. MacArthur Foundation, “Globalization and Creativity,” Chicago, 1996.

“World Music and the Global Cultural Economy.” Panelist, “Producão Cultural: Centro/Periferia?” conference, Universidade Federal de Alagoas, Maceió, Brazil, 1992.